PRESSURE CATALOGUE AND TRAILER MUSIC
EASY TO LICENSE. EASY TO CLEAR. EASY TO CUSTOMISE.
We will bring your brave ideas to life, whatever it takes. But we know that sometimes you’ll have projects where there is extra pressure, whether that means tight deadlines or tighter budgets. The Pressure Music Catalogue is a curated collection of original, high-quality tracks created for real briefs by real creatives. Designed for filmmakers, editors, and producers, it offers music that’s easy to search, quick to license, and fully customisable to suit your story.
New to our offering, our Bespoke Trailer Music delivers high-end, cinematic music that cuts through the noise. These tracks bring the emotion, intensity, and scale your trailer needs to stand out and be heard.
FEATURED MUSIC CATALOGUE ALBUMS
FEATURED TRAILER ALBUMS
We like to do things differently, so we’ve approached Pressure Music Catalogue differently too. We’ve focused on quality not quantity and have carefully collated and curated a selection of premium tracks, composed by our own team for real briefs by real creatives and packaged them into one easy-to-use resource on DISCO.
It’s the next best thing to commissioning an original score, with the speed and flexibility of a ready-to-use library track.
Our Trailer Track Albums offer an additional layer bold, cinematic collections purpose-built to bring emotional weight, scale, and intensity to trailers and promos.
FEATURED PLAYLISTS
FEATURED CATALOGUE MUSIC PLACEMENTS
GET TO KNOW DISCO: WHERE OUR MUSIC LIVES
What is DISCO?
DISCO.ac is the music platform we use to host and share the Pressure Music Catalogue. It’s trusted by industry professionals for its fast, intuitive interface, making it easy to browse, search, and build playlists with ease.
How Do I Use DISCO?
Want to get the most out of our catalogue? Watch this short tutorial to learn how to:
- Search by mood, genre, or tempo
- Create and share playlists
- Favourite and organise your top tracks
See how DISCO helps you find the right music quickly, even when the pressure’s on.